Links to the essays are provided when available.
Years later their progeny Lyric Essay—half-prose and half-poetry—dresses in loose tunics, wears his hair slightly too long to be considered conventional, and whiles away his days wandering through forests and meadows while contemplating metaphors for life and love.
He spends his nights lying in soft grass gazing at the constellations while neighbors gossip across the fence and cluck their tongues at his seeming lack of discipline.
But a careful study of lyric essays will reveal a cornucopia of connectors and structures rooted in both poetry and prose—mythology, reflection, irony, repetition, spiraling perspective, lists, sensory details, voltas—binding the fragmented imagery within braided, hermit crab, collage, and elegy structures—bringing order to apparent literary chaos and allowing lyric essayists the freedom to push and prod poetic prose until an emotional message pops from the page.
While it is ruminative, it leaves pieces of experience undigested and tacit, inviting the reader's participatory interpretation. Its voice, spoken from a privacy that we overhear and enter, has the intimacy we have come to expect in the personal essay.
Yet in the lyric essay the voice is often more reticent, almost coy, aware of the compliment it pays the reader by dint of understatement.
But we must be willing to go out on an artistic limb with these writers, keep our balance on their sometimes vertiginous byways. What he says of the poem could well be said of the lyric essay: The poem holds its ground on its own margin The poem is lonely.
It is lonely and en route. Its author stays with it. If the reader is willing to walk those margins, there are new worlds to be found. The lyric essay values the tension of juxtaposing objective and subjective material. So why turn to the lyric essay? On a pragmatic level, here are some circumstances in which the lyric essay might prove advantageous: Lyric moves, particularly fragmentation and passive voice, enact a lack of agency on the page.
Instead of experience, the lyric essay engages primarily with ideas or inquiries, lending it an aspect of intellectual engagement that is not usually foregrounded in the personal essay. The tension comes when such engagement is blended with a poetic, subjective sensibility.
My ears did not quicken. My heart did not skip. What I heard was philosophical meditation, truncated memoir, slipshod research, and just-plain-discursive opinion. A wall of words.
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But not a lyric essay among them. The term had been minted brilliantly, it seems to me by Deborah Tall, then almost immediately undermined. Not all essays are lyric. Not even all short essays are lyric. Some are merely short. Because, to be lyric, there must be a lyre. In lyric essay the narrative might break up into sections, evolve and trail away into white space, poetry and often, repetition.
Lyric essay flourishes with the braiding of multiple themes, a back and forth weave of story and implication, the bending of narrative shape and insertion of poetic device such as broken lines, white space and repetition.
There is a similarity between this form and flash fiction or prose poetry. It purposefully avoids a steady progression towards meaning, a predictable arc of exposition, climax, revelation, and denouement, preferring instead allusive, anecdotal, and abstract swipes at an opaque theme.
It is, in other words, a mash-up: It likes to betray the genres from which it borrows, making wily little jabs at their most dearly held conventions.Carol Hanisch is a radical feminist and was an important member of New York Radical Women and pfmlures.com is best known for popularizing the phrase the personal is political in a essay of the same name.
She also conceived the Miss America protest and was one of the four women who hung a women's liberation banner over . Description: The first historically and internationally comprehensive collection of its kind,Essayists on the Essayis a path-breaking work that is nothing less than a richly varied sourcebook for anyone interested in the theory, practice, and art of the essay.
pfmlures.com - Buy Essayists on the Essay: Montaigne to Our Time book online at best prices in India on pfmlures.com Read Essayists on the Essay: Montaigne to Our Time book reviews & author details and more at pfmlures.com Free delivery on qualified pfmlures.com: Carl H.
Klaus, Ned Stuckey-French. Essayists on the Essay: Montaigne to Our Time, edited by Carl H.
Klaus and Ned Stuckey-French, is now available from the University of Iowa Press. The first historically and internationally comprehensive collection of its kind, Essayists on the Essay is a richly varied sourcebook for anyone interested in the theory, practice, and art of the essay.
Apr 19, · He is also co-editor with Ned Stuckey-French of Essayists on the Essay: Montaigne to Our Time. A special page devoted to Essayists on the Essay can be found on Facebook. Paperback.
Condition: New. Language: English. Brand new Book. The first historically and internationally comprehensive collection of its kind, Essayists on the Essay is a path breaking work that is nothing less than a richly varied source book for anyone interested in the theory, practice, and art of the essay.